• Skip to content

Menu 1

  • floating roots, pieces of home, the return
  • work
  • news
  • about
  • Back
  • project information
  • KCCA
  • Lin's Mansion Art Space
  • Shanghai West Bund Art Fair
  • text by Giaco Schiesser
  • interview by Dong Xiaowei
  • Back
  • navigating time and space
  • Passage I
  • Passage II
  • On the Edge of Time
  • in the blue
  • floating gardens
  • the long journey home
  • works on paper
  • building site
  • giving way
  • love school
  • my china
  • living here
  • landscape and portraits
  • blossom blossom
  • room 12
  • paintings 2002
  • Back
  • room of measures
  • the lock-keeper’s hut
  • at open sea
  • door to the river
  • exhibition info
  • Back
  • Exhibition information
  • Artworks
  • Film
  • Documentary
  • Collaborating Artists
  • Exhibition Booklet
  • A Closer Look
  • Supporters
  • Back
  • artworks
  • exhibition information
  • events
  • press
  • participating artists
  • publication
  • short film
  • take a peek
  • Back
  • exhibition information
  • artworks
  • video
  • Back
  • cedaring: from the archives 001A to 009A
  • cedaring: from the archives 001B to 018B
  • cedaring: from the archives 001C to 006C
  • Back
  • biography
  • artist’s statement
  • contact
  • documentaries
angela lyn

Menu 1

  • floating roots, pieces of home, the return
    • project information
    • KCCA
    • Lin’s Mansion Art Space
    • Shanghai West Bund Art Fair
    • text by Giaco Schiesser
    • interview by Dong Xiaowei
  • work
    • navigating time and space
      • room of measures
      • the lock-keeper’s hut
      • at open sea
      • door to the river
      • exhibition info
    • Passage I
      • Exhibition information
      • Artworks
      • Film
      • Documentary
      • Collaborating Artists
      • Exhibition Booklet
      • A Closer Look
      • Supporters
    • Passage II
    • On the Edge of Time
      • artworks
      • exhibition information
      • events
      • press
      • participating artists
      • publication
      • short film
      • take a peek
    • in the blue
      • exhibition information
      • artworks
      • video
    • floating gardens
    • the long journey home
    • works on paper
      • cedaring: from the archives 001A to 009A
      • cedaring: from the archives 001B to 018B
      • cedaring: from the archives 001C to 006C
    • building site
    • giving way
    • love school
    • my china
    • living here
    • landscape and portraits
    • blossom blossom
    • room 12
    • paintings 2002
  • news
  • about
    • biography
    • artist’s statement
    • contact
    • documentaries
pause play prev / next zoom fullscreen show thumbnails

meet me in the woods

Shanghai West Bund Art Fair 2025


meet me in the woods

For the Shanghai West Bund Art Fair, I created an installation titled meet me in the woods. The cedar tree, a recurrent theme in my work since 2008, is presented as a labyrinth of printed silks. What were once two-dimensional paintings transform into a spatial composition that responds to the slightest current of air. The instability of the three-dimensional image conveys a dreamlike temporality. ...



The woods is a place of both refuge and uncertainty.

I used three types of silk to differentiate between the transparencies, which, in some cases, when directly layered one over the other, create a shimmering moiré, adding a further ghost-like ambiguity to the image. As the silk moves in response to the viewer, the image is redefined.
Suspended over-size cedar hands invite the visitor to enter. Silk bundles suggestive of lost belongings occupy the floor space. A double layer wall hanging of a cedar and landscape painting add depth to the space. Textile objects I call handbooks, dangle midway between the ceiling and floor, together forming an immersive narrative within the space.

The installation suggests a metamorphosis and transformation: a sense of impermanence where the viewer can wander through, whereby the silks move and the branches seemingly come to life.

  • cedaring home II, 2025, oil on canvas, 42 x 42 cm
  • handbook VI, 2025, silk chiffon, crêpe de chine, 21 x 20 x 6 cm
  • handbook V, 2025, silk chiffon, crêpe de chine, linen, 48 x 60 x 8 cm
  • handbook V, 2025, silk chiffon and silk taffetta, 24 x 34 x 5 cm
  • handbook I, 2025, silk chiffon, crêpe de chine, linen, 130 x 62 x 14 cm
  • mountain and woods, 2025, crepe de chine, silk chiffon, 250 x 28 x 16 cm
  • a way of becoming, 2025, crêpe de chine, 140 x 62 x 37 cm
  • cedaring home II, 2025, oil on canvas, 42 x 42 cm
  • handbook VI, 2025, silk chiffon, crêpe de chine, 21 x 20 x 6 cm
  • handbook V, 2025, silk chiffon, crêpe de chine, linen, 48 x 60 x 8 cm
  • handbook V, 2025, silk chiffon and silk taffetta, 24 x 34 x 5 cm
  • handbook I, 2025, silk chiffon, crêpe de chine, linen, 130 x 62 x 14 cm
  • mountain and woods, 2025, crepe de chine, silk chiffon, 250 x 28 x 16 cm
  • a way of becoming, 2025, crêpe de chine, 140 x 62 x 37 cm
 
x